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I found the H910 Doubler and Chorus presets to be incredibly useful and I’m going to be reaching for them quite frequently down the road. I’ve yet to find a doubling plugin that makes me as happy as simply having the singer do a few more tracks and making layers manually, but the H910 and H949 may have just done the impossible for me. With its unique combinations of pitch shifting, modulation and delay, it can be heard on. All guides Guitar Interviews Mastering Mixing Recording Classifieds Log in. The H910 Harmonizer was the worlds first digital effects processor. Eventide h910 harmonizer plugin review pro#User reviews Pro reviews Award winners Guides. ![]() ![]() Vocal doubling, in particular, is something that I’m very picky about. Other effects bundle or multi-effect Eventide H910 & H949 Harmonizer Plug-in Combo: 2 prices. I found them to be incredibly functional and handy. I was quickly impressed by the presets of the Clockworks Bundle. Use the H910s pitch changing ability to create specific. A powerful creative tool, the H910 plug-in is a faithful recreation of the original hardware. This is something I can appreciate, as I’m not a fan of shuttling my physical iLok between my laptop and desktop. Simply put, nothing sounds quite like it. Eventide h910 harmonizer plugin review windows#Plugin Format Operating System PitchProof: 32/64-bit VST/AAX/AU: Windows & Mac. Eventide h910 harmonizer plugin review install#The plugins authorize via iLok, and you get 2 authorizations for 2 different machines when you install them. Get Eventide H910 here: Pluginboutique, Reverb. There are dual versions of the harmonizers included for working with stereo sources. Eventide plug-ins give you the ability to make your recordings evoke the sonic landscape of legendary albums and open the doors to the creation of new sounds never heard before. They are laid out in a very easy to use manner, and making quick adjustments is clear and simple. These plugins look, and more importantly, respond like hardware. It could be controlled by a keyboard remote control to instantly shift pitch in half steps. It combined ‘de-glitched’ pitch change with delay and feedback. The visual aesthetic of the corresponding hardware units has been meticulously maintained. The H910 was the world’s first commercially available digital audio effects device. Finally, the Omnipressor offered staggering control over dynamic processing with side chain, infinite compression, mix control, and more. The SP106 reverb was the first effect processor that offered ROM chips for expansion of future sounds. ![]()
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